Showing posts with label Neverland. Show all posts
Showing posts with label Neverland. Show all posts

Sunday, July 31, 2011

Finding Michael



It happened almost the minute I walked off the plane. There was a feeling of familiarity, and of stepping back in time to 2010.

I greeted friends that I had met last year, and met others for the first time. It was wonderful, yet strange to see the faces of those I had only communicated with via the internet and by telephone.

Yes, this was familiar ground to me. Last year, I had left behind a piece of my heart and soul, and I expected to feel the same emotions I had at that time, but I didn’t. I expected to find Michael where I had felt his presence last year, but I didn’t. Instead, I sensed a difference in the air; a difference in me. Perhaps it was because the grief and pain wasn’t quite so raw and new, not so all-consuming. There was silent resignation within me that he had physically departed, and no more would we see the life-force shine from eyes that had on lit up our world. I know deep down inside I had already reached that acceptance long before my trip, but being in that space where Michael had lived and breathed, reinforced it.

I had felt his spirit at Neverland when I made my first journey. The air had held traces of laughter and music, and softly spoken words. Lingering and tangible, I had felt the happiness and peace that had once reigned in this place, and the ground had welcomed me with open arms. But it had been a gift given just for that moment; fleeting and temporary.

My second journey here held nothing of my previous experience. The air was still, as shimmering heat filled the valley. My eyes skimmed over hills, and along the road that led to his home, forever hidden from my view. And I waited with eyes closed for a sense of connection to return, to hear the quiet whispers of yesteryear, but silence hung heavy. This ground was waiting, as was I, for its beloved child to return, because Michael was not here, not this time. I knew that this would be my last visit to Neverland, but I felt no sense of abandonment or disappointment. There was no sadness as I turned my back and walked away, rather, I felt I was being led to find him elsewhere, and I did.

Unexpectedly, I found Michael in the living; in the smiling, happy faces of children eager to share how he had inspired them. Their simple, yet beautiful dot drawings proudly displayed before an audience who bathed in their youthful glow of exuberance. I found Michael in a teacher’s quiet dedication and love, in a principal’s smile, in a parent’s commitment, and in the soft lilt of an Irish tongue. His hand shook, blue eyes clouded as tears filled, and his voice broke as he recalled time spent with Michael. No doubt was left in any of us sitting in that special place that Patrick had truly loved, and dearly missed his friend. A gift was given and a connection made.

Michael was there in the strength and spirituality, and the clear brown eyes of another friend, one whose presence filled the room with light. A soft hand shook ours, and strong arms encircled us; arms that had at one time, wrapped themselves around Michael. Humble and genuine, Jonathan shared precious memories of 33 years, retelling conversations, and expressing feelings openly. We felt drawn to, and held captive in the same space he had shared with Michael. We were there. Another gift given, another connection made, drawing us closer together and to Michael.

He was there in the sparkling waters and gentle waves of a Pacific beach. In the clear blue sky and hot sun, in the cool water as it washed over my feet, and in the quiet company of my companions, I felt Michael’s presence quietly watching, and smiling at the simple pleasure we felt in walking across warm sand, and breathing in salty air.

I found him at Disneyland in the excited laughter of adults and children; in the magic and fantasy so perfectly created for all ages, just as once Michael’s Neverland had been. On a giant screen he came at me in 3D, and he was there in the exhausted silence from having spent a day as that long, lost child of my past. He was there in the fans that waited on Hollywood’s Walk of Fame for their dots to be placed near his heart. Their eyes lit in happiness as cameras clicked, but tears expressed a moment worth more than any picture could capture.

When Jonathan and Alex joined on stage, I found Michael again. He flowed through the music, coming alive once again through the beat of drums and bass guitar. Two men became lost in time, as once again they came together to play for Michael. Absorbed in the rhythm and power of “Earth Song” and “Man in the Mirror”; living it, breathing it, feeling it, they became the music and the music became them. They were not just giving Michael 100%; they were giving him 10,000%, as they always had, as they always would, not because he had demanded it, but because they had loved and respected him too much not to give all of themselves to him and the performance.

Hands clapped, bodies danced, and voices sang. The atmosphere changed, and became energized; charged with electricity. I stood silent, and unable to move as I watched and listened. I kept looking for Michael to appear on the stage with them, but then, I knew he already was. He was inside them. Another gift given, another connection made.

And finally, I found him at Forest Lawn. Not down the cold, dark corridor where his body lay, but in the banners and cards; the gifts and thousands of flowers laid by those who had come to honor his life with their tokens of love. He was there in the hearts of the fans that had gathered. He was there in the hearts and beautiful faces of my friends. He was there in his brother Randy, as he stepped from his car to connect with the fans, and in one special man, who sat with a few us in a quiet moment. A man, who is creating an image of Michael on canvas, joining a world together through magical little dots; a man, who when once he found out that a tiny bug was on his back, asked that it not be harmed or killed when removed. Another gift given, another connection made.

Last year, I told you that a piece of my heart and soul was left behind. This year I left more, and gave pieces of myself to be carried over distances and oceans, scattered, but still connected through a journey shared, through words spoken, memories and silent tears, and warm embraces. I had been touched by something very special and beautiful; a gift given and a connection made; forever changed. I now carry the knowledge and understanding that something bigger and greater than me, than of all of us, is at work here. And that is love.


By Valmai Owens© 2011. All Rights Reserved.
No reproduction without permission from author.
This interview appears in the publication Dot to Dot: Keeping Michael’s Legacy Alive,
http://mjtpmagazine.presspublisher.us/
and its content is the property of the authors and the Michael Jackson Tribute Portrait. Articles and exclusive interviews are copyrighted; therefore there should be no republication without permission. You may email
edito@michaeljacksontributeportrait.com with any requests for republication. If permission is given, credit must be given to the author, Dot to Dot: Keeping Michael's Legacy Alive and the Michael Jackson Tribute Portrait.

Interview with Larry Nimmer



Larry Nimmer is noted for his documentary, Michael Jackson: The Untold Story of Neverland, which he created for the defense team during Michael Jackson’s 2005 child molestation trial, but he has also earned a variety of awards, including several Emmy nominations, for 30 years of producing entertainment and informational programming.

Larry began his career as a TV News Producer for the CBS-TV affiliate in San Francisco, KPIX-TV. He has since produced music videos for broadcast on MTV, documentaries shown on PBS and a variety of other programs and promotional spots for broadcast and cable networks.

It was a great pleasure for me to speak to this seemingly shy and softly spoken man.


Transcribed by Valmai Owens

Valmai:  Larry, your career spans 30 years and you have won quite a few awards. You have also been nominated for a few Emmy’s. Can you tell me when it all began?

Larry:  When I was 10 years-old that same Christmas I was given a darkroom set by my father. So, I started photography then and later film-making. In high school and college I made films and so-forth.
I’ve had an interesting and varied career. I started off making home movies and then worked for a CBS TV station in magazine style news. From there I did music videos, documentaries, religious and how-to videos, short films and litigation videos. One of the specialties I got into was making training videos for attorneys for use at trial that tell stories for their clients. That’s how I ended up getting hired by Michael Jackson and his attorney for his trial in 2005.

Valmai:  Are you freelance?

Larry:  Yes, basically I’m freelance. I have my own company, Nimmer Pictures Inc, and my wife is my partner. She is a graphic designer. I have a nice studio in a converted garage next to my home in Carpinteria. So, it’s really just the two of us and I pull in other people as I need them. I write, shoot, edit and sometimes perform in videos I do.

Valmai:  Yes, from what I have seen you do a little bit of everything, but out of all those things, is there one that you enjoy doing more than the rest? Do you feel more comfortable behind the camera or in front of it?

Larry:  Well, I feel more comfortable behind the camera. One of my mission statements is, to help give people a platform to express themselves. So, I particularly enjoy projects where I help people or organizations to either express themselves or get their message out.

I have a karaoke TV show I sometimes do which does that, and I do something called Generation Exchange, where I help younger people interview older people or vice versa, to get their stories out. I do Man in the Street columns and videos where I ask the question of the week and people talk about different subject matter. I also do art videos and have been doing them since the seventies, and the last number of years I’ve been doing something called Dance for Peace. New Year’s Day I dance from my town to the next town and I document myself. That’s one time I do video-tape myself; I have a little video camera that I can shoot myself while dancing or walking, but normally I’m more comfortable putting other people on camera.

              

http://www.youtube.com/watch?v=j44Lnc2hQrM

Valmai:  I’ve actually seen those videos on You Tube, A Citizen Dances for Peace, and I was going to ask what the inspiration was behind them.

Larry:  Well, it started off with getting older and needing to do more exercise. I figured every year on New Year’s Day I should at least get a big exercise, although I go to the gym at other times.

One year I hiked the mountain behind me, another year I walked a long distance and I guess it was during one of the Iraqi wars that I thought I would turn it into a dance for peace. I wore a sign that said, Peace Starts with a Smile, and I walked from Carpinteria to Santa Barbara. I felt that peace was a good thing to exercise or to perform for.

So, I kind of made it into a peace thing, but it’s also kind of a personal exercise for me and also to express myself and dance. I’ve kind of gotten more into dancing the older I get and it’s a kind of self-expression and self-growth, even though I really don’t like people seeing me when I dance to Santa Barbara, but somehow I don’t mind video-taping myself and having people see me later. I’m kind of shy about it while I’m doing it though.

Valmai:  You are? I don’t know. The videos are very entertaining and actually quite funny in places, and I thought to myself while watching them, “maybe he should consider a career in acting or comedy.”

Larry:  Well, I sometimes feel I’m too serious and I look too conservative. I kind of look like an old businessman. That was one thing Michael Jackson did for me, to help encourage me to get more in touch with my child-like nature as he often talked about. So, even though I’m sometimes embarrassed by revealing my child-like nature, and sometimes I’m worried it may make me look less professional to some people, to others I think they understand the urge to act like, and have the child-like spirit and express it. So, I have been encouraging myself more and more to do that.

Valmai:  I think that’s a good thing. I think everybody needs to do that. As you get older and get involved more with your life and the things that happen along the way, that “child” seems to get pushed deeper and deeper inside of you and you forget how to have fun.

Larry:  Right! Exactly! I encourage others to do it and I’m glad you feel that way too.

Valmai:  Oh, I do.  Larry, about music. I came across another video of you where you perform an original song that you wrote in the seventies, called “Born Under A Lucky Star.” You performed this at a Carpinteria talent show. Are you a songwriter also or is it kind of a hobby for you?

              

 http://www.youtube.com/watch?v=RyeckI6tns8

Larry:  It’s just been a hobby. In my teens, when I had a lot of emotions pent up in me, I learned to play the guitar. It was a good release to express myself. I’ve always written in journals and right behind me where I’m sitting now, I have my journals that I have written since I was 10. There’s something like 35 or 40 journals. It’s just been a good release. I wrote “Born Under A Lucky Star” when I was at Berkley College, and those were some crazy times.

So, I play a little guitar now and then and both my son’s, who are now 25 and 28, play guitar too. Recently, there was a talent show in my town so I played that song.

Valmai:  It was good; very good.

Larry:  Thank you! Is there a video of that online? I didn’t realize that.

Valmai:  Yes there is, most certainly. I did a search on your name and there it was. It also came up with your Citizen Dance’s for Peace videos. From there I went to your channel and found a few other interesting videos.

Larry:  Good, good.  On You Tube I have a few channels. One is called Larry Nimmer, another is called Nimmer Pictures and another is called American Good Humor. The American Good Humor is; whenever I go a trip I always like to have some sort of artistic project.

I was going to Europe, I think five or six years ago, and I wanted a project to do. I wanted to do something that would give Europeans a good picture of Americans.  So, I played the part of the Good Humor Man. He was somebody in the Fifties and Sixties in the United States who went around selling ice cream and he wore a white suit. The Good Humor Man was an ice cream company.

So, I dressed up as The Good Humor Man, even though Europeans wouldn’t necessarily know who he was, and did something called, Experiments in Good Humor. I experimented in different ways of giving good humor to people by performing for them or doing little acts of charity or kindness, complimenting people and giving out little slips of free wishes. So, I did some of the documentation of that on my You Tube channel American Good Humor.

Valmai:  Well, I will have to check that out. Larry, when you are making a documentary, how do you choose the subject matter for it?

Larry:  Well, different ways. Sometimes, a client comes to me and they have something they want a documentary about and I will certainly do that. I make my living this way, and it’s sometimes harder to freelance so I’m always out marketing and trying to bring in projects. Sometimes projects that I’m interested in, I’ll look for grants for or other folks to fund them and I’ve got a number of grants for projects. Some of them have been environmentally related; to do with marshes and streams, lakes and water quality.

One funny grant I got was from the State of California. I knew the State was giving out money to help people learn about not dumping their motor oil on the ground or the ocean because it affects marine life. At the time, I was interested in the low-rider culture; the Latino culture of fixing up and cruising in their cars and so forth. So, I put in for a grant from the State of California, which I got, to do a series of videos on the low-rider culture and different low-rider clubs. I documented each of these clubs and suddenly, in each short documentary, I showed them recycling their motor oil. So, I got the message out that you shouldn’t dump your motor oil on the ground, and in the meantime I gave a platform to these different low-rider clubs to show that they’re good people and have a worthwhile hobby. Actually, a lot of them are doing charitable work. So, that’s just an example of how I get projects.

Some projects I do for free for different organizations. If it doesn’t take too much of my time I’ll video them and put them on the community access channel or put it on You Tube, Vimeo or somewhere online. Some of that I have done for the Michael Jackson groups. When Michael died, I did various videos and posted online and during the Conrad Murray hearings I posted some also.

Valmai:  Before you were hired to do the film on Neverland for Michael Jackson’s defense team, did you have a personal opinion about Michael, the trial and the allegations against him or were you fairly neutral?

Larry:  That’s a good question. I was pretty neutral. I hadn’t followed Michael’s career very closely though I had followed it like most people, and I always did enjoy following it.

As I say in my documentary, often I felt where there’s smoke there’s fire, meaning, I saw in the press that after the ’93 settlement, again there was an accuser and apparently at the trial it seemed like there were other people coming out of the woodwork accusing Michael. So, I didn’t really know one way or another, but I thought maybe he’s a molester although I felt I didn’t have the expertise; I didn’t know. That’s one of the reasons I was happy to hired and be involved with the trial so I could get the inside information, and I happily learned that he is not a molester and never was. He was taken advantage of because of his kindness to people and also taken advantage of by the media. But, I never really knew one way or another and I was happy to learn that he was an innocent guy.

Valmai:  And did you come to that opinion while you were filming and seeing Neverland for yourself or while sitting in on the trial?

Larry:  Well, I came to that opinion after looking at documents during the trial, after talking to his attorneys, after talking to others and seeing the evidence. That’s when I came to that opinion and I became fully immersed in all the facts to do with the trial and past allegations. That’s when I came to the conclusion that he was innocent.

Valmai:  So, what was it like filming Neverland? What was it like being there? You had access to some of the private living areas didn’t you?

Larry:  Right! Well, it was certainly like being a kid in a candy store for me. When I got the call to do the job I was just so happy.

I’ve always enjoyed being around celebrities, particularly celebrities I admire like Michael Jackson, and I’ve always been fascinated with Neverland. I’d heard about it like most people and seen it on television. I remember thinking in the past that if I could ever go there that would be great. In fact, I did go there one time before I was hired. I was just in the area of Neverland, and my wife and I drove by and then drove up to the gate. I buzzed it and said, hi, can we come in? And the guard said, well who are here to see and I said, Michael. Then he wanted to know if we had an appointment. I said no, of course, so he just said well I’m sorry. I understood that. But, I’d always wanted to go and so when I had the opportunity, it was just fabulous.

When I went, I initially met with Bob Sanger who was one of Michael’s attorneys, and then I met with Tom Mesereau. Bob and Tom gave me a tour around the area and in addition, introduced me to the ranch manager and other staff. They told the staff that it was basically up to me where I wanted to go.

When I was given the tour, the attorneys and the ranch manager told me that this is what people would normally see at Neverland, and suggested that this is what I document, but it was kind of up to me as well. And what the defense team wanted to show was what Neverland was really like to a typical visitor; to a visitor that may not know Michael, as well as a visitor that gets to go into the private residence and so forth. So, basically I had free reign to go more or less wherever I wanted to go. Over a period of a month, I went on a number of occasions. Sometimes Michael was on the property, but I never actually saw him. I saw him during the trial at the courthouse. At Neverland, he would be in one area and I would be in another and I was also encouraged not to disturb him while I was there.

One of the buildings they wanted me to videotape was the guesthouse where the Arvizo’s stayed, because the family claimed they had been held hostage at Neverland; it was an awful experience, they weren’t allowed to leave, they weren’t allowed to know the time and so forth. So, they wanted me to show that the guesthouse was like living in the lap of luxury. Elizabeth Taylor, Marlon Brando and others had also stayed there, but I couldn’t go in because it turned out that Michael was living in it. He didn’t want to go back into his bedroom at Neverland after it was defiled by the sheriff’s going through it.

It was just a great place. Sometimes people ask me what was it like and I tell them that is it kind of a cross between a Beverly Hills mansion, antique museum and Disneyland. It was very well maintained and Michael didn’t change too much of the structures from when he bought it. It was developed by a man named William Bone, who was a golf course entrepreneur. Bone had built the main house, lakes and the guest cottage I believe. Michael redecorated it and added some other features to it like the amusement park, zoo, theater and his dance studio, but it wasn’t that different from the original property.

By the way, I am really happy to hear that Michael’s kids are interested in possibly someday returning it to Neverland as a tourist destination. If that could be done that would be great.

Valmai:  I think it would be wonderful to have it reopened!

Larry:  I understand how the neighbors don’t want it because they feel it would be too much traffic and the stress on the local infrastructure, water, sewerage and so forth. But, in its heyday a lot of people did visit it and I certainly think select groups could continue to. I think there is room for more people to visit it. I’m hoping someday that something will work out.

Valmai:  I had the opportunity last June, to go to Neverland. Not inside the gates of course; none of us were allowed inside, but one thing that struck me was just how beautiful and peaceful it was. I didn’t feel the negativity that some people were sensing. I actually felt a very spiritual connection with the land and I also felt there had been a lot of happiness there. To me that kind of outweighed the bad stuff that had occurred at Neverland.

Larry:  I think that’s a good point. There certainly were some unhappy times there, but there was a lot of happiness as well and also inspiration for Michael for his songwriting, dancing and developing his child-like nature. And I think just the message of what Neverland was about; the wonderful example to others. Neverland is about creating an oasis of wonderment and childlike beauty.

Michael said he wanted to give break to the inner city, sick and disadvantaged kids and give them a place to go to that was fun to them. So, just the nature of why Michael built it the way he did, I think is a wonderful example to others to do charitable work. And hopefully others will be able to enjoy Neverland again in the future.

Valmai:  It’s true that you met Michael very briefly during the trial. You were sitting in the waiting room waiting to testify. What was your impression of him?

Larry:  Yes, I was sitting in the waiting room and there was a little window where I could see people coming and going in the hallway. I saw, what I thought, was a boy scout. I went up to the window and sure enough it was Michael in one of his jackets with military style buttons on the side. So, I went out into the hallway and he came back in a moment. I just said hi, and he said hi, how are you. He gave me a really lovely smile, but it also seemed like kind of a sad smile for what he was going through at the time. I can’t imagine how awful it was to face his accusers every day after he had helped this family so much. 

I testified on the stand for two days because I didn’t finish first day. Each day as I sat down, Michael kind of gave me a Buddhist bow; putting his hands together in prayer and bowing with a sweet smile to me. I didn’t talk to him a lot except for hi and thank you, but I could see the type of man he was and he must have had a lot of inner strength to be able to face all that negativity.

He was taller than I thought and he walked like a dancer, like kind of light on his feet. I’ve mentioned a few times in interviews that I noticed his nose. It looked like he had had plastic surgery and I don’t know if it’s rude to mention that or not, but I felt kind of sorry for Michael. I think he had more plastic surgery than perhaps he meant to have or maybe it was done more extreme than he meant it to be. And I know his father always made fun of his nose as he was growing up and maybe his siblings to. He was self-conscious about that and one of the video outtakes I had of him he says he thinks he looks ‘stinky.’ I felt sorry for him having plastic surgery that people make fun of. If anything, I think people should feel sorry for him and be understanding of it. But anyway, it was a pleasure to be in the same space with Michael, and I was really happy that I was able to help him in the way I did. I think the video of Neverland that I did, did help him.

              

 http://www.youtube.com/watch?v=pUAwwnwI85Y

I had a few interesting assignments for the tour. One was to show his book collection in the house because the prosecution tried to make out that Michael had an art book with some nudes in it of boys. Then, they also showed some statues on the property where there’s some nudity and that in Michael’s briefcase there was a girlie magazine. To me that was all very innocuous; it wasn’t a big deal at all. For one thing, the girlie magazine showed he was a regular heterosexual man; it wasn’t child porn or anything. In terms of the books, Michael had something like 20,000 with 10,000 books on the property. To go through all those books and only find one art book that had some nudity in it, shows that Michael wasn’t focused on that.

What I was able to show in his book collection was the range of books he had. Michael said himself that he was a voracious reader and loved studying different subject matter. So, the types of books Michael had were books on show business, magic, religion, Christianity; books on child-raising to teach himself on how to raise children and he also had a lot of the classics. He appreciated the authors from the past. So, it was nice to see that aspect of Michael.

Valmai:  Yes, it is well-known that he was extremely well read, but obviously the prosecution was going to pick on just that one book. That was their focus because of the allegations and that single book was enough. That’s what they were looking for; they weren’t interested in the 19,999 other books that didn’t contain anything that could be construed as suspect.

Larry:  Exactly! They were really unfair to Michael.

Valmai:  They were! Very, very unfair and so were the media. But, accusing Michael because he had one art book that showed some nudity would be like accusing anyone who has an appreciation for the work of masters such as Michaelangelo and Bernini.

Larry:  Exactly, exactly! That was a low blow, but luckily the jurors saw through it and found him innocent.
I was a little nervous after my documentary came out that the sheriffs might come after me, because in a way my documentary didn’t paint them and in particular the District Attorney, Thomas Sneddon, in a good light. But, they have acted professionally since then and haven’t bothered me.

Valmai:  That’s good to know. Now, you filmed outside the courthouse during Murray’s preliminary hearing and I’ve seen a couple of the videos you have done. What was the inspiration behind them?

Larry:  Well, partly fun. I love media circuses being in the media myself. It’s always a fun spirit and also fascinating to watch how other media work and who shows up. I wanted to be around the fans, hang out and hear stories. I also wanted to assist some of the others that I know. I just basically wanted to help anybody I could there.

When the trial starts, I would like to put together a series of reports and I’m looking for a media outlet or a Michael Jackson organization that might help fund me. I’m actually putting together a short video now which I’m going to send to some folk to see if anyone would like me to do a daily or weekly report on the trial.
So, going there was a little bit of fun and to support Michael and his legacy; to support his family, the fans, other people in the field and possibly to make some money too. I need to make a living.

Valmai:  Well, you do have to keep that in mind.

Larry:  Yes, and I’m really glad how tolerant the fans have been of that. I know when some of the Michael Jackson organizations try to do something and make money out of it, other fans will come down on them. I can kind of understand that, but on the other hand, you have to pay for your expenses and if you are not working you have to try and come up with some way to live. So, I’m glad people didn’t put me down for making some money and actually I haven’t made that much. But, I understand Michael believed in charitable work and I support that and others trying to do that as well.

Valmai:  What is your impression of Michael’s fans? Do you think they deserve the labels they have been given by the media and non-fans?

Larry:  Well, I’d like you to tell me what the labels are, but before you do, I’d like to say that I’m fascinated by the fans. I think it’s wonderful how they use Michael as an example of how to live and what messages to spread. In a way, he is like a religious figure that people revere and I understand that. There have been others also, President’s of the US, other entertainers that people really care for and use as an example.

One thing I find interesting and sad in a way, is how some fan groups are kind of fighting with other fan groups. I’ve been around some of that and I was kind of surprised by it. I guess it goes along with the territory when people feel so very strongly about what they are doing and what they’re representing. They disagree with other groups and get into disputes and fights, and I’ve seen some nasty stuff go on. But, what do you say on how the fans have been represented?

Valmai:  Well, I have read reports by certain media and also in discussion threads online, where they have labeled fans as crazy, mean, blinded by their devotion to Michael, and unable to recognize the facts etc.

Larry:  Well, that’s interesting and I see a little bit of that, but I think it’s true of any fan of any subject matter; for the Democrats, for the Republicans, for the Tea Party, for Obama. People who feel very strongly about something become somewhat blinded about the facts and just look at their side. So, I think that goes on with the Michael Jackson fans, but I think it’s true in any segment of society and in any culture.

Valmai:  With having these labels and with the fighting within the fan community, it’s often difficult to present a better picture of the fans toward the media and public. As representatives of Michael, it’s important to have a positive, intelligent and mature public image.

Larry:  Yes, it is kind of ironic that much of the fan community is trying to get out his message of peace and understanding and tolerance, when some people aren’t tolerant of others in the fan community. But, I think it’s for the reasons I just said. I think if something could be done to unite the fan community more that would be wonderful. I try to do that some and in fact when I went to the preliminary hearing there were some fan groups from opposing camps. I tried to be friends with both of them; to be a bridge. So, I try in my own small way, but I don’t know what else can be done.

It strikes me that maybe one reason for it is; some of the in-fighting is from people who are non-professional communicators. They don’t do it for a living; it’s their hobby and something they feel strongly about. They don’t run big businesses and if they had they would be savvier about it; if you do something there’s going to be fallout from it and will lead to more consequences. So, it’s another reason how I understand why that happens. By the way, I think the Michael Jackson Tribute Portrait is very cool. I’ve seen a lot of positive stuff come out of that and it’s important what you guys are doing.

Valmai:  Well, thank you. I was going to ask you what you thought about it, but you beat me to it.

Larry:  I met Jerry Biederman at the Beverly Hilton, at the Jackson family party, and of course the artist David Ilan and some of the other staff. Jerry and David seem very professional and there are some very positive things coming out of the Michael Jackson Tribute Portrait projects.

Valmai:  That’s wonderful to hear. We are very proud of the Tribute. Larry, have you considered making a documentary on the phenomenal connection between Michael and his fans and vice versa, that even now two years after his death, is still strong and active?

Larry:  Well, yes, I’ve thought of it some and I would like to.

The Untold Story of Neverland was relatively easy to make because all the footage was just sitting here in my office. I shot additional footage; an interview with Tom Meserau and some dramatic re-creations, but it wasn’t that big of a deal, in a way, to put together. I spent the time doing that without being paid and made some of money back by selling it on Amazon, but if I was to tackle a new documentary it would be very time consuming and I wouldn’t be assured of being recouped for my costs. I’d also possibly be at some legal risk.
As it is, the Jackson Estate gave me a hard time when my documentary first came out. They have since backed off, but I don’t think they realized that my documentary was positive to Michael and would help his legacy. They did send me a cease and desist letter and I had to have my brother’s attorney talk with them and so forth.

I am a little nervous that if I did something again in the future whether I would get on somebody’s bad side and be at legal and financial risk. But, if I was to do one, and I have been gathering footage by going to events and doing interviews, I would like to do it either on the fan community and how the fans benefit from Michael’s legacy and what aspects of Michael’s life is shown through the fans, or another subject that would be worthwhile and people have contacted me about, is Michael’s philanthropy. Another subject that interests me is Michael’s interest in the child-like nature and how he channeled that.

So, I may one day do another documentary and we’ll see what happens.

Valmai:  This is my last question Larry. Can you share what you are working on at present?

Larry:  Well, what am I working on…I’m working on doing a series of Man in the Street videos that would be seen nationally asking the question of the week, and I’m looking for an outlet. I actually have one fast food company I am talking with that possibly wants to use my Man in the Street video questions on their Facebook page and on their in store monitors. So, that will be a fun project.

I have a Man in the Street print column in my local paper and its questions about what makes you happy, what makes you sad, what books and movies do you like, what’s hard about being a parent, what’s easy.  Some of these questions are kind of an example to others to learn about people psychology and to know you are not alone with your problems.

So, that is one project, but another that that I’ve been doing for hobby purposes is my Dance for Peace, and I recently did a couple of other dance videos. I’m doing other projects for attorneys; settlement videos that basically talk about their clients stories that can be used at settlement conferences. I did some generation exchange projects where I have young people interview older people and vice versa, and we post them on the internet. That becomes a value to those families and it gives an opportunity for seniors to mentor kids and kids, in a way, to mentor seniors.

I have a couple of environmental projects that I will be doing. I’m going to do a recycling video and for some non-profit organizations I’m going to document some projects going on in Santa Barbara County. So, that’s a little bit of what I’m doing right now.

Valmai:  Larry, thank you very much for doing this interview with me. I've really enjoyed talking to you.

Larry: Thanks for calling. It was a good interview; you did a great job! 


By Valmai Owens© 2011. All Rights Reserved.
No reproduction without permission from author.
This interview appears in the publication Dot to Dot: Keeping Michael’s Legacy Alive,
http://mjtpmagazine.presspublisher.us/
and its content is the property of the authors and the Michael Jackson Tribute Portrait. Articles and exclusive interviews are copyrighted; therefore there should be no republication without permission. You may email
edito@michaeljacksontributeportrait.com with any requests for republication. If permission is given, credit must be given to the author, Dot to Dot: Keeping Michael's Legacy Alive and the Michael Jackson Tribute Portrait.

Tuesday, February 1, 2011

Re-Visitng Neverland

After answering questions from MJTP Team members and volunteers in our Christmas Special, Big Al returns to answer more, including questions from some of our members.



Valmai: What was Michael's favorite ride?

Big Al: I would say the Bumper Cars with the Sea Dragon a close second.

Valmai: Did Prince, Paris and Blanket have favorite rides?

Big Al: They were still too young for the big rides ... they liked all the Kiddie Rides ... the Lolli Swing was probably the favorite.




Valmai: Many people never understood the concept of why Michael built an amusement park. If you could be his voice, what would Michael tell the world?

Big Al: The Amusement Park, along with the rest of Neverland, was built to bring a magical day; a joy filled memory into the lives of all those sick and less fortunate kids who visited Neverland. 

Valmai: How often did Michael invite the underprivileged, handicapped and terminally ill children to Neverland? Once a month, every week or maybe several times a year?

Big Al: During the spring and summer, we tried to do a group every week, sometimes two a week. During the fall and winter we got a lot of rain, so not as often. We did not want the kids to look forward to their trip with great anticipation and then have to cancel due to rain.

Valmai: When a person thinks about an amusement park, typically they think of rides, cotton candy and children. Michael had much more than that; we know he had a zoo. What kind of animals did he have?






Big Al: We had an incredible petting zoo and reptile exhibit. We also had Chimpanzees, Orangutans, Giraffes, Elephants, Alligators, Tigers, Exotic Birds, a Black Bear and a Lion.

Valmai: Do you have any fond memories to share with us about Michael and the animals?

Big Al: Mr. Jackson loved visiting the zoo and enjoyed spending time with all the animals. We had a great group of employees in the zoo; very knowledgeable. Mr. Jackson would learn and retain some new bit of information on every trip to the zoo. I think the one thing that really sticks out, and it took me a while to realize this, but I think the animals knew who he (Michael) was. Does that sound off the wall (no pun intended)? Well ... it is true. I know some animals are smarter than others, but I think they ALL knew Michael. I would visit the zoo at least three times a week. The Chimps really knew me and really liked me, but I am pretty sure every animal down there knew who Michael was… well maybe Big Al (my name sake) the alligator didn't. He would only come up if he was hungry and you had chicken for him. 




Valmai: What was it like to have the animals around the grounds, and did you have any experiences with them? 

Big Al: On occasion the Zoo personnel would take animals down to the front or back yard of the house. One day I was up at the Steam Train and I heard some strange noises coming from the lake. I looked down to see the elephants playing in the lake. It was like being in a Tarzan movie ... totally awesome.




And speaking of the Neverland Zoo… one day I was in the Amusement Park when I got a call on the radio from the girl in charge of the Elephant Department. She asked if I could stop by when I had a few minutes. Since we had no guests on property, I headed to the Zoo. So ... here's the deal ... one of the elephants in the zoo actually belonged to a guy who had several exotic animals, and worked with the TV / Movie / Commercial industries. Since elephants like hanging out in groups, Suzy hung out at Neverland when she wasn't working. Also, the younger elephants learn from the older elephants and Suzy was a great teacher since she was well trained, very gentle and well mannered. So this was a win win situation.

Suzy’s owner also spent a lot of time with the girls in our elephant department teaching them all he knew about elephants. Well ... the request that involved me ... they wanted to do a thank you card to Suzy’s owner, and on that card they wanted a photo of Suzy and Santa Clause. Since I had a very nice Santa suit (yet another fun story), I was asked if I would take part in this thank you card. With permission from the management, the photo shoot was set up.

With my Santa suite on, I climb up on the fence, Suzy walks over and I get on. After several photos, Suzy drops me off at the fence. As I am heading back to the ranch house to change back into my work clothes ... I am stopped ... “Oh, we have one more photo we want to take”. They roll out this aluminum stand that the elephant puts her foot on when the girls clean and trim her feet (a regular event). They explain to me that I am going to sit on this stand, they will march Suzy in front of me, have her turn away from me and give the 'Trunk Up' command. As she raises her trunk her back legs will bend. The idea here is to make it look like the elephant is going to sit on Santa's lap.

I must admit that at this point I was ready to end my thank you card participation, but I said alright. So, with Suzy in position the command is given. Suzy looks back at me as if to say, “Hey, there is someone back there”. I thought this was pretty cool, and I was glad to see that she was concerned with my safety. Once we assured Suzy that all is well, she raised her trunk. Oh wait ... one more photo just to make sure we got the shot ... then it happens ... Suzy passes gas right in Santa's face. Let me tell you, when an Elephant passes gas it is like a giant high speed fan or a blast from a train horn. Once the elephant girls stopped laughing, I asked if we were done. “I need to go get the green speckles out of my Santa beard”. 

Valmai: Is there a campaign set up to support turning Neverland into a museum or public park, and if so, how do we go about volunteering?

Big Al: I have not heard of any plans for Neverland, but I would love to see Neverland open back up. Please read my comment in the last interview. 

Valmai: You’ve shared with us some funny stories. Is there anything that Michael said to you, whether it be profound, funny, moving or enlightening that you feel both you and he would be comfortable with you sharing; that has really stood out for you over the years?

Big Al: I would have to say the time Mr. Jackson was telling me about Earth Song. This was before the History CD was released so I had no idea what he was talking about. But the way he talked about the message and how much it meant to him ... the emotion ... I was almost brought to tears thinking about that conversation the first time (and every time) I heard that song.

Valmai: We often hear from people who met or actually knew Michael, of how just being in his presence seemed to be magical, uplifting, healing; as if his love and light shined through and radiated everywhere he went. From fans who met him, to sick children who experienced a healing effect, to close friends and loved ones, we have heard this many times. Did you ever experience something like this as well?

Big Al: It was always a great pleasure to work for and be in the presence of Mr. Jackson ... and yes, I witnessed his extraordinary positive effect on many people.  







The story and picture of Santa (Big Al) and Suzy the elephant, and the picture above of Bubbles and Michael, have never been published before. Before Big Al sent these to me, only a few of his close friends had ever had the pleasure of seeing them. I am honored and privileged that Big Al shared these for Dot to Dot, and for taking time out of his busy schedule to answer our questions.

Thank you, Big Al.

Sources:

http://www.ajobara.com/Press/CCTCL.htm

© Valmai Owens, 2011
Director of Publications/Editor-in-Chief
Dot to Dot: Keeping Michael’s Legacy Alive

http://www.michaeljacksontributeportrait.com/magazine.php

Back to Neverland With Big Al Scanlan



From 1990 to 2005, Big Al Scanlan worked at Neverland Ranch as Director of Maintenance. He was responsible for overseeing the grounds and numerous attractions, including the theater, rides and trains. He also became a close personal friend of Michael’s.

In this interview, Big Al answers questions posed by some our team members and volunteers, giving us a rare insight into his time at Neverland, and his relationship with Michael.




Valmai: Big Al, how did you come to apply for the job at Neverland?

Big Al: I got involved in the amusement business shortly after high school. Most of that time was in the safety and maintenance end of the business. When Mr. Jackson purchased the ranch, I was working for a Risk Management Consulting company that specialized in amusement rides. This company was recommended to the MJ representatives by the amusement ride broker in regards to, how to take care of the equipment. I would visit Neverland two or three times a year, either for a safety inspection or to address maintenance issues.

During the first two years Neverland was in operation, I developed a great professional relationship with Neverland as well as a good friendship with the ranch manager.  During one of my closing meetings, I informed the ranch manager that I was getting tired of all the travel (300 days a year) and was thinking of looking for a job at an amusement park. I then told him of two parks I was interested in. His reply shocked me. He said, "What do you think about working here?" 

At this point in time I had no idea what all went on at Neverland as far as all the charity work. I thought this was just a place for Mr. Jackson to have some fun. I was not a Michael Jackson fan, but I was into music enough to know he was an incredibly talented entertainer. I had seen enough of Neverland to know that this place had some serious class, but I really thought working there would be ... well ... boring. I decided that I should hear what the MJ people had to say about my possible employment at Neverland. This turned out to be a very wise decision on my part.    




Valmai:  What was a typical day like when Michael was at home?

Big Al: When Mr. Jackson was home or if we had guests, my day would start around 5.00am with the alarm clock going off. I would clock in at 7.00am, and head to the steam train. There were only two of us at the ranch that could fire up and operate the steam train. One of us would come in early to fire up, and the other would come in around 2.00pm and stay until closing.


Once the steam train was full of steam, I would clean up and put on my formal uniform for the rest of the day. After that, it was stand by and listen to the radio for any requests for a train ride on either train. I would normally rotate back and forth between the trains, running them from one end of the valley to the other and blowing the whistle from time to time. Mr. Jackson enjoyed the atmosphere that the train movement and sound of the whistle added to the magic of Neverland.

Valmai: We know that Michael loved to play jokes on people for fun. Did he ever play one on you? What were some of his funniest pranks?

Big Al: I had only worked at Neverland for a few weeks. It was a very warm day. I was in my suit (and thinking to myself it was a bit hot to be wearing a suit), standing near the front of the amusement park grinding ice for the snow cone machine with my back to the road that runs in front of the park. I see a golf cart full of people out of the corner of my eye; the golf cart stops right behind me. I keep grinding ice and I hear, "Sure is hot today, isn't it?"  I slowly turn around and agree then go back to grinding ice. Then ... WHAM, a water balloon hits me in the middle of the back. As the golf cart speeds off I hear Mr. Jackson say, "It wasn't me". I realized that I was feeling much cooler and a thought ran through my mind, "I have never had a boss throw a water balloon at me, I think this is going to be a fun place to work.”

This incident really sticks out in my mind because I had only been working at Neverland for a few weeks and had not had any contact with Mr. Jackson yet, other than running a few rides for him.




Valmai: Aside from his work in the entertainment field, what did Michael most enjoy doing during his free time? 

Big Al: The only free time I can comment on is his time at Neverland. I believe he enjoyed everything about Neverland; riding on the rides, watching movies, visiting the zoo and without a doubt, water balloon fights!
Neverland gave Mr. Jackson, as well as all his guests, a chance to relax, a chance to escape the everyday stress life gives us. Even if he was on tour or in the studio, he would want to hear all about the day that the guests had at Neverland. It was very important to him that they had the time of their life.    

Valmai: Did you ever have any personal interaction with some of Michael’s most famous friends, such as Elizabeth Taylor or Lisa Marie?

Big Al: During my years at Neverland, I believe I meet them all. The one that really stands out is Gregory Peck. He was in the park with some of his family. He and I were sitting under a big oak tree while watching his family ride some rides. Mr. Peck asked me how I got my start at Neverland and over the next half an hour or so I told him my life story. When he got up to leave he thanked me, and told me I was a fascinating person. He said it with a level of sincerity I will never forget. I was telling myself, “here is a guy who is an absolute icon ... a legend ... and he is fascinated by my life as a Carny ... WOW!”



Valmai: Can you speak about the impact that a day at Neverland had on the children who visited there?  What, if any, miracles did you witness?

Big Al: It is hard to explain what a huge impact a day at Neverland had on the inner city kids and the kids fighting life threatening illnesses. You would almost need to hear it from them. I know that we would receive letters from doctors, nurses, counselors and family members that would absolutely make me cry. Some of those kids were so sick; I think it was a miracle, if only for that one day, that they forgot about their illness. And for the inner city kids, some who had never been out of their neighborhood, the miracle was that they got to see that there is hope. 

Valmai: Did Michael appear to be a happy person at Neverland?

Big Al: Extremely!

Valmai: What was one of Michael's happiest moments?

Big Al: That one I cannot answer. I do believe that seeing the sick and inner city kids having the time of their lives’ at Neverland made him very happy.

Valmai: When you look back on the time spent at Neverland and with Michael, what's the one thing you'll never forget; the memory that stands out in your mind the most?

Big Al: That is one tough question; there are so many incredibly happy memories. I guess if I had to pick one it would be the time I made Mr. Jackson laugh the hardest. (Side Note: I did get to make him laugh several times.) I have to stop here and ask if you can recall the video for “Speed Demon?” The opening when Michael runs into the two fat twins on scooters? If not, stop reading and go watch it. Okay, are you back?

I am in the amusement park area when I get a call on the radio, “Mr. Jackson would like two scooters at the park in a few minutes.”  I grabbed Dan, and we jumped in my golf cart and headed to the barn where the scooters were. Now Dan is about 5 feet 6 inches and weighs about 130 pounds.  I on the other hand, am 6 feet1inch and weigh 320 pounds. By now you may know where this story is going.
Dan and I are heading to the park on the scooters, and when we were about 200 feet from Mr. Jackson, I notice he is looking at me and laughing. I pull up about 6inches from his feet and the words just came out, "Hey Mister, want to autograph my belly?"  He started laughing so hard I thought he was going to cry. 



Valmai: How would you feel about Neverland being re-opened as a memorial park similar to Graceland and do you think that Michael would have wanted this?

Big Al: Absolutely! I know there has been talk, both good and bad, about that possibility. There have been reports of Mr. Jackson saying he hated Neverland and would never live there again. Given the acts of the DA, the sheriff and 'that family', I do not doubt those reports. I believe eventually Mr. Jackson would have re-opened Neverland. Why do I believe that?

During my 15 years at Neverland, sitting at a picnic table under a huge oak tree, I had several long conversations with Mr. Jackson about Neverland. Looking into his eyes and hearing his voice, there is no doubt that the charity work done at Neverland was one of the most important things in his life. In time, I believe the importance of those magical days for those sick and inner city kids would have found its way back into Michael’s heart. The letters from all the doctors and nurses from children's hospitals, and the letters from parents who hung onto the memory of their child and that trip to Neverland, make it very clear how important Mr. Jackson’s charity work through Neverland was.

I became very good friends with a kid with cystic fibrosis (number 1 genetic killer of children). Jeff visited Neverland once with Children's Hospital of Los Angeles and twice as my guest during the annual employee family day. One day after taking it (Neverland) all in, he looked at me and said, "I don't know if I like Michael Jackson the entertainer (Jeff was a Lollapalooza kind of kid) but I am sure I like Michael Jackson the person.”

Jeff truly understood Michael and the importance of Neverland, and as I write this, and hang onto those happy memories of Jeff at Neverland, I understand its importance. If Neverland were brought back to its 'Heyday' condition, and opened to the public part of the time to support itself, and part of the time for invitation only charity events, it would be a win-win situation.

Valmai: When was the last time that you and Michael spoke, and what did you talk about? 

Big Al: My last conversation with Mr. Jackson was during the trial. It was not much of a conversation. Sometimes I would see him in the morning before he left or in the afternoon when he came back. The conversation was more of acknowledging each other. I hope he saw in my eyes how I cared and how much I wished I knew what to do, what to say. This is the first time in a long time that I actually recalled that last conversation. I have a plethora of much happier times I concentrate on.  

Valmai: What do you feel is the greatest gift you received from Michael?  How did he change your life?

Big Al: After spending some time around Mr. Jackson and getting to better understand what he was about; I learned how to be more charitable, not to be judgmental, to do whatever I can to help people less fortunate than I, and to be more courteous and polite. I am a better person, thanks to my time at Neverland and with Mr. Jackson.

Valmai: What would you say is Michael's most profound legacy?

Big Al: I am sure that most people would say his musical career. I, on the other hand, would say his humanitarian accomplishments both known and unknown.

Valmai: If you could have one more day with Michael, how would you spend it? 

Big Al: After reading that question, it took me a long time to get my composure back. I would spend the day thanking him until he made me stop, then I would do my job, entertaining the “Entertainer.”




Valmai: If you could share one thing with the world, what would it be? 

Big Al: If I only knew how ... I would like to let the world know what a truly genuine person Mr. Jackson was.

Thankyou, Big Al, for sharing your special memories with us.

Photographs:

 
http://mj-upbeat.com/UPBEAT-HOME.htm

http://www.terrastories.com/bearings/inside-neverland-ranch



© Valmai Owens, 2011
Director of Publications/Editor-in-Chief
Dot to Dot: Keeping Michael’s Legacy Alive

http://www.michaeljacksontributeportrait.com/magazine.php

Tuesday, December 28, 2010

Finding My Neverland




As a child I believed in magical lands where princes and princesses lived in fairytale castles. I believed in dragons and knights, and in wizards and fairies; Santa Claus, the Tooth Fairy and the Easter Bunny. My child’s mind was open to every possibility and my imagination and dreams took me to wonderful places, creating memories I would sometimes revisit.

One memory that remains strong is the rainy winter Sundays I spent with my father in front of an open fire. It was the one day of the week mum, he and I were together as a family, and I looked forward to it eagerly. I would curl up on the sofa in the living room, while dad sat in his armchair next to me, and together we would watch a soccer or rugby game on TV. Mum would be in the kitchen preparing our Sunday roast; the aroma wafting through the house causing our stomachs to rumble in anticipation.

After the game and without fail, a Disney movie would come on, and while I lost myself in the world of Peter Pan, Beauty and the Beast and Snow White etc, my father would slip into a comfortable doze, softly snoring at my side. It’s a memory of warmth; the smell of fire, rain and roasting meat mixed with the comforting sounds of my family life, and escape into a world of imagination inspired by the ageless stories of magic and wonder. This was a world where time stood still and I never grew old. I wanted everyday to be a Sunday.

But age is something none of us can escape from, and I found myself growing into adulthood. Each year that passed the child within me grew more silent, and the time for play, imagination and dreams became memories belonging to another time as the responsibilities and realities of life came a calling.

There were times though when I felt the child stir. The NeverEnding Story not only became my daughter’s favorite movie, but mine also, and C.S.Lewis’ Chronicles of Narnia along with J.K.Rowling’s Harry Potter, drew me back into the world of magic and fantasy for a time. But it was a man who finally awoke the sleeping child.




When I learned that Michael had bought a ranch and was creating a magical kingdom called Neverland, there was no other place in the world where I wanted to be. The mere concept of building a wonderland for children of all ages, so they could experience the simple joys of play and make-believe inspired me to dream again. I so wanted to go there and take my children, but it was not to be at that time. This past June, I got my wish when I flew to California for the first anniversary of Michael’s passing. The pain of Forest Lawn was not something I had expected to feel so intensely, so it was with relief, excitement and a certain amount of expectation that I journeyed to Neverland.




I knew that the glory that once was this place was no more, but in my imagination I could see the gilded gates opening, and there in the midst of his playground was Michael, running free with a string of little darlings close on his heels. I smiled inwardly as I placed myself in the picture my mind presented, running by Michael’s side, out of breath and wild with excitement. My disappointment came when I reached the main entrance and found I could go no further. So close I was, yet so far.




All of us there felt it; the urge to break through the barriers, and walk the road to Neverland each carrying our own special dreams of this golden land. Instead we hovered in front of the gate, wide-eyed with hope that a relenting heart would welcome us in; pacing back and forth in restless motion. We stood before the wall of love and wrote our names and messages. We talked amongst ourselves and took pictures, but our eyes never strayed far from the gate and what lay beyond.




There is a large tree that stands almost as a sentinel to the entrance of the driveway. It reminded me of the picture’s I had seen of Michael’s Giving Tree. Its wide branches offered cool shade and a knowledge that Michael had driven past it numerous times. I stood beneath it for awhile, soaking up the energy that seemed to radiate from this place; listening to the quiet conversations around me and the rustling of leaves above. I ran my hand over the bark and wondered if at any time Michael had done the same thing.

A short distance from the tree is a low wooden fence which surrounds the property. It’s low enough to climb over with ease and temptation drew me to it, but I couldn’t bring myself to cross it without invitation, and none was forthcoming. Instead, I leaned against it and gazed wistfully at the rolling hills that hid the magical city from view. I fancied I heard the sounds of children’s laughter and the sharp, piercing whistle of a steam train carrying its precious cargo of smiling and eager faces on a journey of wonder. I ached for what had been, and for the magician who had cast his spell on all our hearts. I also ached for all the lost chances; the dreams and memories that had slept within me for too long.




Michael’s Neverland had never been mine to experience, at least not the physical part of it. I say that because I became aware of the lingering spirit that still clung to this place. Here there had been much love and happiness and laughter, and while some had tried to taint it with ugliness, joyous electricity sparked through the air. Hidden behind a veil of consciousness, Neverland still existed. It lay in the very soil of this land, planted by the hundreds of lives Michael had touched. The child in me leapt in response to this understanding, and finally awoke from its long slumber bringing with it all the memories and dreams from long ago.

I realized that Neverland was merely a name given to an ideal. Within all of us, lives that child from our past. A child who wants to break free and run and play and laugh. I had let mine sleep, and I had lost the innocence; the acceptance and openness to be able to believe in things without fear or reproach. My child had once dreamed big dreams. It had believed in the mystery, fantasy and magic of life, and it now yearned to return to its own Neverland that it had built so long ago.

Michael knew and understood all these things. He had never had a chance to live as a child in the magical world of children, but he had carried the ideal inside him into adulthood. It was then that he built his dream, as much for him as for the children who visited there. For a time, he felt and experienced the joys of youthful pleasures. He laughed, he played, he ran free, and he imagined and dreamed big dreams. He found his Neverland, and through him, I had found mine again.


Magical Child: Part 1
Once there was a child and he was free
Deep inside, he felt the laughter
The mirth and play of nature's glee
He was not troubled by thoughts of hereafter
Beauty, love was all he'd see
He knew his power was the power of God
He was so sure, they considered him odd
This power of innocence, of compassion, of light
Threatened the priests and created a fright
In endless ways they sought to dismantle
This mysterious force which they could not handle
In endless ways they tried to destroy
His simple trust, his boundless joy
His invincible armor was a shield of bliss
Nothing could touch it, no venom, no hiss
The child remained in a state of grace
He wasn't confined in time or place
In Technicolor dreams, he frolicked and played
While acting his part, in Eternity he stayed
Soothsayers came and fortunes were told
Some were vehement, others were bold
In denouncing this child, this perplexing creature
With the rest of the world he shared no feature
Is he real? He is so strange
His unpredictable nature knows no range
He puzzles us so, is he straight?
What's his destiny? What's his fate?
And while they whispered and conspired
Through endless rumors to get him tired
To kill his wonder, trample him near
Burn his courage, fuel his fear
The child remained just simple, sincere
All he wanted was the mountain high
Color the clouds, paint the sky
Beyond these boundaries, he wanted to fly
In nature's scheme, never to die
Don't stop this child, he's the father of man
Don't cross his way, he's part of the plan
I am that Child, but so are you
You've just forgotten, just lost the clue
Inside your heart sits a Seer
Between his thoughts, he can hear
A melody simple but wondrously clear
The music of life, so precious, so dear
If you could for one moment know
This spark of creation, this exquisite glow
You would come and dance with me
Kindle this fire so we could see
All the children of the Earth
Weave their magic and give new birth
To a world of freedom with no pain
A world of joy, much more sane
Deep inside, you know it's true
Just find that child, it's hiding in you.


Magical Child: Part 2
Magical child once felt a twinge
A faint recollection, a memory unhinged
In the colors, the forms, the hue
There seemed a mystery with a subtle clue
Behind the wind, the storm, the gale
Within the shroud, beyond the veil
Hidden from view in a wondrous pattern
There seemed a force that he could not fathom
Its music and cadence were playful and sweet
He danced in bliss to its throbbing beat
He did not mind either cold or heat
On the mountain high was his royal seat
Strangers came and scorned his joy
With ridicule and banter they tried to destroy
What in their minds was a skillful play
With cruel darts they tried to plunder
To suffocate and strangle his innocent wonder
Fighting hard, despite their blunder
Again and again to steal his thunder
Despite their attacks, they could not break
With all their barbs they could not take
God's gift of love, which they could not fake
Not knowing his strength or what he sought to seek
They complained aloud and called him a freak
But the mysterious force just kept its hold
Magical child grew brave and bold
Diving deep into his soul
In exquisite ecstasy he discovered his role
In his Self was infinite scope
This mysterious force was mankind's hope
Piercing through that mask of Being
In that silence beyond all seeing
Was a field with a different story
A field of power, of awesome glory
With other children, if unfurled
Its tidal wave would change the world
Magical child was ready to bow
Sow the seed, pick up the plough
With effortless ease, without a sigh
Without a tear, without a cry
With silent perfection
Under God's direction
To sing together as one race
Stem the tide, transform this place
Magical children, don't worry how
Don't delay, this moment's now.

From Dancing the Dream, by Michael Jackson





Thank you, Michael, for being my Peter Pan.


© Valmai Owens






http://www.youtube.com/watch?v=lXZB7OySntA&feature=related

http://www.terrastories.com/bearings/inside-neverland-ranch


© Valmai Owens